John Meed is a singer-songwriter based in Cambridge described by R2 Rock’n’Reel as: ‘a consummate storyteller’ whose songs are ‘thoughtful and thought provoking.’
‘John Meed inhabits his subject matter, digging deep into the emotional content to find a surprising angle in a way that has seen him compared, rightly, to Leonard Cohen, Al Stewart and Jaques Brel.’ Shindig
‘A breath of fresh, mellow, unsophisticated and unpretentious folk air.’ Rock Society
‘Pavilion Parade said it all really – who said political songwriting was dead?’ Eric Bogle
You can order John’s new album, The Hills of Arran, here.
This year it is 40 years since my love affair with Andalucia and its music began. In the summer of 1976 my friend Gordon and I spent six weeks in and around Granada, camping in the Alpujaras and in Motril on the coast, trekking across the Sierra Nevada and exploring the city that was to become one of my very favourite places. I then spent a couple of weeks travelling around Andalucia with another friend, Mike, before I set off alone to cross North Africa and return through Italy. A few years later I returned with Isabelle and we met a flamenco troupe who introduced us to the music of Camarón de la Isla, and notably his remarkable album La Leyenda del Tiempo, generally regarded as a turning point for flamenco and a key moment in reclaiming the music from Franco’s regime.
Since then we have returned on several occasions, most recently two years ago when we visited El Puerto de Santa Maria on the Bahia de Cadiz (staying with our friends Magi and John, alias Zig and Zag), Sevilla (where we caught up with Miguel whose flamenco guitar playing on ‘Andalucia’ is stunning), Cordoba and of course Granada. Our stay in El Puerto resulted in my song Santa Maria and I have now been able to combine film by Roger Murfitt of a live performance of the song with some of the photos and videos of the town that Magi kindly gave me. Here is the the resulting video:
Two minutes in there is an example of the wonderful flamenco baile (dance), we believe from Cadiz-born bailora Begoña Arce, filmed at the peña Tomás el Nitri in El Puerto. The song loosely uses the rhythm of the flamenco tangos – rather different from the Argentinan dance. There’s a more authentic tangos from Camarón himself here (also about the Bahia de Cadiz with a mention of El Puerto towards the end).
I have a few gigs planned for this autumn as well:
– On Saturday October 15th I’ll be supporting Philip Henry and Hannah Martin in Alstonefield Village Hall, close to Ashbourne in the Peak District
– On Saturday October 22nd I’ll be playing a 25 minute set with the excellent Keith Sadler and some other Suffolk troubadours at Relevant Records, 260 Mill Road, Cambridge, CB1 3NF (7-10pm – I’ll be on around 9pm)
– On Tuesday October 25th I’ll be playing a 30 minute set at the Hear the Music evening in The New Captain’s Table, Cathedral Marina, Waterside, Ely, CB7 4AU (8pm for 8.30 start)
– On Tuesday November 8th I’ll be playing a 40 minute set the MacKenzie Society, Unitarian Hall, Victoria Street, Cambridge CB1 1JW (7.45 pm)
– On Monday November 14th I’ll be playing a 25 minute set at the Carpenters Arms in Victoria Road, Cambridge CB4 3DZ
I have several new songs at the moment (the referendum at least got my creative juices flowing, even if it plunged me into despair) so I’ll be combining these with old favourites. It would be lovely to see you if you can make one of the events. There are links to the venues on my gigs page.